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Dye coupler technology has seen considerable advancement since the beginning of modern color photography. Major film and paper manufacturers have continually improved the stability of the image dye by improving couplers, particularly since the 1980s, so that archival properties of images are enhanced in newer color papers and films.
The back of the film is then brought into optical contact with a reflective surface. This originally was done by mounting the plate in a specialized holder with pure mercury behind the film. When it is exposed in the camera through the glass side of the plate, the light rays which strike the transparent light-sensitive film are reflected back ...
The numerical value of a lens aperture. The ratio of the focal length of the lens divided by its effective aperture diameter. [4] FF: Full frame, where the image sensor is approximately the same size as a 35 mm film: 36 × 24 mm. FP: Focal plane.
Chromatic aberration also affects black-and-white photography. Although there are no colors in the photograph, chromatic aberration will blur the image. It can be reduced by using a narrow-band color filter, or by converting a single color channel to black and white. This will, however, require longer exposure (and change the resulting image).
Color photography (also spelled as colour photography in Commonwealth English) is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray- monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray .
The fundamental technology of most photography, whether digital or analog, is the camera obscura effect and its ability to transform of a three dimensional scene into a two dimensional image. At its most basic, a camera obscura consists of a darkened box, with a very small hole in one side, which projects an image from the outside world onto ...
Granularity, or RMS granularity, is a numerical quantification of density non-uniformity, equal to the root-mean-square (rms) fluctuations in optical density, [5] measured with a microdensitometer with a 0.048 mm (48-micrometre) diameter circular aperture, on a film area that has been exposed and normally developed to a mean density of 1.0 D (that is, it transmits 10% of light incident on it).
Zoom lenses may scatter more light through their more complicated optical systems than prime lenses, that is, lenses of fixed focal length; for example, an infrared photo taken with a 50 mm prime lens may have more contrast than the same image taken at 50 mm with a 28–80 zoom.