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Apocalypse Now is a 1979 American epic war film produced and directed by Francis Ford Coppola. The screenplay, co-written by Coppola, John Milius , and Michael Herr , is loosely inspired by the 1899 novella Heart of Darkness by Joseph Conrad , with the setting changed from late 19th-century Congo to the Vietnam War .
The album's title is a reference to the 1979 war film Apocalypse Now. In the United States, the album reached number 64 on the US Billboard 200, number 13 on the US Top R&B/Hip-Hop Albums and number 3 on both the Heatseekers Albums and Catalog Albums charts.
The Apocalypse Now Sessions is an album by the Rhythm Devils. Subtitled The Rhythm Devils Play River Music, and sometimes referred to by that name, it contains music that was recorded for the soundtrack of the film Apocalypse Now. It was released by Passport Records as a vinyl LP in 1980.
Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940), is an Italian cinematographer widely recognized as one of the best and most influential in cinema history, for his work on numerous classic films including The Conformist (1970), Apocalypse Now (1979), and The Last Emperor (1987).
On August 15, 1979, Francis Ford Coppola’s Apocalypse Now arrived in theaters. The film went on to earn eight nominations at the 52nd Academy Awards, including a nod in the best picture category ...
Greatest Hits is a compilation album by American rock band the Doors, released in 1980. The album, along with the film Apocalypse Now, released the previous year, created for the band an entirely new audience of the generation that did not grow up with the Doors. The album went on to become one of the highest-selling compilations of all time ...
Ask Emilio Estevez how he feels about the term “Brat Pack” — the nickname attached to him and an evolving group of young actors shooting to fame in popular teen movies (many directed by John ...
Apocalypse Now is Pere Ubu's third live album, and their first to document a single performance. The show in question, recorded on December 7, 1991, at Schubas Tavern in Chicago, was performed semi-acoustically, with synth-man Eric Drew Feldman instead handling an upright piano, and Jim Jones playing an amplified (and occasionally heavily distorted) acoustic guitar.