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Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944) Agnes Elizabeth Ernst Meyer (1887 – 1970) Pranas Morkūnas (October 9, 1900 – December 28, 1941) Clément Pansaers (May 1, 1885, – October 31, 1922)
Max Ernst, 1920, Punching Ball (l'Immortalité de Buonarroti), photomontage, gouache and ink on photograph. The Dadaglobe solicitation letter, sent from Paris in early November 1920, requested four types of visual submissions—photographic portraits (which could be manipulated, but should "retain clarity"); original drawings; photographs of artworks; and designs for book pages—along with ...
Media in category "Dada paintings" The following 4 files are in this category, out of 4 total. Delaunay, Dessin en couleurs, published in Der Sturm, 1922.jpg 1,211 × 1,591; 1.18 MB
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
Like Dada, Merz was characterized by spontaneity and frequently made use of found objects. One of the most significant Merz artifacts constructed by Schwitters is the Merzbau, a tower-sized sculpture assembled from refuse and ephemera that occupied the inside of his apartment and existed from 1927 to 1943, when it was destroyed by a British air raid during World War II.
Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century by Jed Rasula is a narrative history of the Dada movement, its birth in Zürich, Switzerland during World War I, its rapid spread and sudden decline throughout Europe, and the political and cultural legacy it left behind. [1] [2] [3]
Michel Sanouillet in 1986. Michel Sanouillet (21 September 1924 – 14 June 2015) was a French art historian and one of the foremost specialists of the Dada movement.. Born in 1924 in Montélimar, Drôme, where he completed his public and high school education, Sanouillet joined the French Resistance in the Vercors in 1942.
391 first appeared in January 1917 in Barcelona, published by Josep Dalmau i Rafel [], founder of Les Galeries Dalmau, and continued to be published until 1924. [2] The magazine was created by the Dadaist Francis Picabia.