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Literary adaptation is adapting a literary source (e.g. a novel, short story, poem) to another genre or medium, such as a film, stage play, or video game. It can also involve adapting the same literary work in the same genre or medium just for different purposes, e.g. to work with a smaller cast, in a smaller venue (or on the road), or for a ...
qualities considered dark traits, usually belonging to villains, (amorality, greed, violent tendencies, etc.) [3] that may be tempered with more human, identifiable traits that blur the moral lines between the protagonist and antagonist.
An adaptation is a transfer of a work of art from one style, culture or medium to another. Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources).
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
Notable mechanical representations of humans include the life-sized singing puppet Olimpia in the short story "The Sandman" by E. T. A. Hoffmann in 1816 and a bipedal anthropomorphic mechanism in The Steam Man of the Prairies by Edward S. Ellis in 1868. [2] These examples are stories about human-controlled mechanisms without autonomy or self ...
However, science fiction's depictions of technologically enhanced humans or other posthuman beings frequently come with a cautionary twist. The more pessimistic scenarios include many dystopian tales of human bioengineering gone wrong. Examples of "transhumanist fiction" include novels by Linda Nagata, Greg Egan, and Hannu Rajaniemi. Transhuman ...
Gulliver's Travels, originally Travels into Several Remote Nations of the World.In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships is a 1726 prose satire [1] [2] by the Anglo-Irish writer and clergyman Jonathan Swift, satirising both human nature and the "travellers' tales" literary subgenre.
In the case of an oft-used myth such as that of Io in Book I, which was the subject of literary adaptation as early as the 5th century BCE, and as recently as a generation prior to his own, Ovid reorganises and innovates existing material in order to foreground his favoured topics and to embody the key themes of the Metamorphoses. [9]