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The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven, completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi. [b] Although known throughout the world as the Moonlight Sonata (German: Mondscheinsonate), it was not Beethoven who named it ...
Français : manuscrit de la sonate pour piano nº 14 en do dièse mineur, opus 27 nº 2 de Beethoven dite « sonate au clair de lune » English: manuscript of the Piano Sonata No. 14 in C-sharp minor by Beethoven
The first sonata remains far less performed than the second and the two sonatas are not commonly performed together. They are named so for their only loose adherence to the sonata form. The first movement of both sonatas are slow and lacking in full sonata form. The second movements are scherzos. The sonatas differ in structure in the third ...
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
English. Read; Edit; View history ... Download as PDF; Printable version; In other projects ... Piano Sonata No. 14 may refer to: Piano Sonata No . 14 (Beethoven ...
Download as PDF; Printable version; In other projects ... Beethoven or Bust; Studio album by . Don Dorsey. Released: 1988: ... Sonata No. 14 in C-sharp minor, Op. 27 ...
Like Mozart's, Beethoven's musical talent was recognized at a young age, [3] and these three piano sonatas give an early glimpse of the composer's abilities, as well as his boldness. Beethoven was writing in a form usually attempted by older, more mature composers, [4] as the sonata was a cornerstone of Classical piano literature. Since they ...
Artur Schnabel, 1906. Austrian pianist Artur Schnabel was the first pianist to record all of Ludwig van Beethoven's 32 piano sonatas. [1] The recordings were made in Abbey Road Studios in London on a C. Bechstein grand piano [2] from 1932 to 1935, [3] [4] [5] seven years after electrical recording was invented. [4]