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The warrior would thus ascend one step in the hierarchy of the Aztec social classes, a system that rewarded successful warriors. [ 22 ] During the festival of Panquetzaliztli, of which Huitzilopochtli was the patron, sacrificial victims were adorned in the manner of Huitzilopochtli's costume and blue body paint, before their hearts would be ...
This talisman was a conch shell cut at the cross-section and was likely worn as a necklace by religious rulers, as such objects have been discovered in burials in archaeological sites throughout Mesoamerica, [6] and potentially symbolized patterns witnessed in hurricanes, dust devils, seashells, and whirlpools, which were elemental forces that ...
Ītzpāpalōtl [a] ("Obsidian Butterfly") was a goddess in Aztec religion.. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh.She ruled over the paradise world of Tamōhuānchān, the paradise of victims of infant mortality and the place identified as where humans were created.
The Cristos Negros or Black Christs of Central America and Mexico trace their origins to the veneration of an image of Christ on a cross located in the Guatemalan town of Esquipulas, near the Honduran and Salvadoran border. This image was sculpted in 1595 in wood and over time it blackened and gained a reputation for being miraculous.
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]
Black is the foremost color associated with Tezcatlipoca, not only because of his role as a god of nighttime and darkness, but to differentiate him from the other three so-called Tezcatlipocas (Quetzalcoatl, Huitzilopoctli, and Xipe-Totec) and their respective colors (white, blue, and red). [6]
The mask of Xiuhtecuhtli, from the British Museum, of Aztec or Mixtec provenance. [9]Xiuhtecuhtli's face is painted with black and red pigment. [16] Xiuhtecuhtli was usually depicted adorned with turquoise mosaic, wearing the turquoise xiuhuitzolli crown of rulership on his head and a turquoise butterfly pectoral on his chest, [27] and he often wears a descending turquoise xiuhtototl bird ...
Jaguar warriors were used at the battlefront in military campaigns. They were also used to capture prisoners for sacrifice to the Aztec gods. [2] Many statues and images (in pre-Columbian and post-Columbian codices) of these warriors have survived. [5] They fought with a wooden club, studded with obsidian volcanic glass blades, called a macuahuitl.