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A world music festival is held in New Plymouth, New Zealand, in early March each year, namely the New Zealand location of WOMAD. [62] Nigeria. World Music day is usually celebrated for one week in Lagos, Nigeria at different location around the state. [63] Poland. Poland's Cross-Culture Warsaw Festival is held in September each year. [64]
Regions: Appalachia; Mid-Atlantic; West; Cities: Annapolis; Athens; Atlanta; Austin; Baltimore; Charlotte; Chicago; Dallas; Denver; Detroit; Fort Worth; Los Angeles ...
The world music genre's gradual migration from a clear spectrum of roots music traditions to an extended list of hybrid subgenres is a good example of the motion genre boundaries can exhibit in a globalizing pop culture.
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.
"Classical music" and "art music" are terms that have been used to refer to music of different cultural origins and traditions. Such traditions often date to a period regarded as the "golden age" of music for a particular culture.
Similarly, Alan Merriam defined ethnomusicology as "music as culture," and stated four goals of ethnomusicology: to help protect and explain non-Western music, to save "folk" music before it disappears in the modern world, to study music as a means of communication to further world understanding, and to provide an avenue for wider exploration ...
The “World Music Cultures” structure at the Moscow Conservatory was founded in September 1976 by composer Jivani Mikhailov. [2] Personal connections and acquaintance of the composer with musicians of traditional cultures of Africa, Asia and America had already played a significant role by the time of the creation of “World Music Cultures”.
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...