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Opera for Everybody: The Story of English National Opera. London: Faber and Faber. ISBN 978-0-571-22493-7. Goodman, Lord; Lord Harewood (1969). A Report on Opera and Ballet in the United Kingdom, 1966–69. London: Arts Council of Great Britain. OCLC 81272. Haltrecht, Montague (1975). The Quiet Showman: Sir David Webster and the Royal Opera ...
Sir John Rowland Tomlinson CBE (born 22 September 1946) is an English operatic bass. Tomlinson was born in Oswaldtwistle, Lancashire, England. He attended Accrington Grammar School. [1] He trained as a civil engineer at Manchester University before deciding on a career in opera at age 21. [2]
Anna Karenina is an opera in three acts by Scottish composer Iain Hamilton.The libretto, based on Leo Tolstoy's 1877 novel, Anna Karenina was written by the composer. Anna Karenina was premiered on May 7, 1981, at the London Coliseum by the English National Opera in a performance conducted by Howard Williams with Lois McDonall in the title role. [1]
Sian Edwards was born in West Chiltington, West Sussex.She studied at Oxford High School, England (and is still remembered by alumnae for her daring streak through her last school assembly) and then the Royal Northern College of Music and later with the conductors Sir Charles Groves, Ilya Musin and Neeme Järvi.
The English National Opera, an English opera company founded by Lilian Baylis, originally based at Sadler's Wells Theatre; The Lyceum Theatre, London, commonly known as "The English Opera" or "The English Opera House" until the 1840s; The English Opera Company, managed by Louisa Pyne and William Harrison which set up residence in Covent Garden ...
Ava June Wiggins (23 July 1931 — 22 February 2013) was an English opera singer noted for her roles with the Sadler's Wells Opera (now called the English National Opera). She joined the Opera in 1953 and switched from a mezzo to soprano on the persuasion of her teacher Clive Carey. June left the company in 1963 and also won a gold medal at the ...
Her recordings include the role of Maddalena in the English-language RIGOLETTO (EMI/Angel), based on Jonathan Miller's "gangster" production for ENO. She is an opera coach at the Royal Academy of Music [1] and a Patron of Bampton Classical Opera. She was a member of the jury for the company's Young Singers' Competition in 2019. [2]
Having performed over 35 roles for English National Opera, Shore describes it as 'the closest thing to feeling like a home company for me.' [3]. Roles have included Don Alfonso in Così fan tutte, Dulcamara in The Elixir of Love, Verdi's Falstaff and a role with which he is particularly associated, Dr Bartolo in The Barber of Seville. [3]