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The adoption of HTML audio, as with HTML video, has become polarized between proponents of free and patent-encumbered formats. In 2007, the recommendation to use Vorbis was retracted from the HTML5 specification by the W3C together with that to use Ogg Theora, citing the lack of a format accepted by all the major browser vendors.
Chrome Remote Desktop is a remote desktop software tool, developed by Google, that allows a user to remotely control another computer's desktop through a proprietary protocol also developed by Google, internally called Chromoting.
Chrome Web Store was publicly unveiled in December 2010, [2] and was opened on February 11, 2011, with the release of Google Chrome 9.0. [3] A year later it was redesigned to "catalyze a big increase in traffic, across downloads, users, and total number of apps". [4]
Internet Explorer was the first major browser to support extensions, with the release of version 4 in 1997. [7] Firefox has supported extensions since its launch in 2004. Opera and Chrome began supporting extensions in 2009, [8] and Safari did so the following year. Microsoft Edge added extension support in 2016. [9]
Sleep and Shutdown modes, for scheduled exit with gradual volume fade out function. Web scraping: integrates Fanart.tv, and similar providers, to retrieve high-quality pictures of artists and album covers for music in library. [2] Plug-in support: additional features in the form of community extensions .
Volume control can refer to: Volume controlled continuous mandatory ventilation; Potentiometer, a feature on audio equipment for adjusting the sound level
On January 6, 2019, Opera banned the Tampermonkey extension from being installed through the Chrome Web Store, claiming it had been identified as malicious. [7] Later, Bleeping Computer was able to determine that a piece of adware called Gom Player would install the Chrome Web Store version of Tampermonkey and likely utilize the extension to facilitate the injection of ads or other malicious ...
For loudness compensation to work correctly the playback system must also accurately assume what volume level was used in mastering. For movie soundtracks this reference volume level is an industry standard [ 4 ] and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy.