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Alumnas Amati, Ashby, Silvestre, Serdet: 1666 Possibly the earliest known violin by Stradivari. The instrument was last sold by J & A Beare. One of a few instruments that has a connection between Stradivarius and Nicola Amati, with whom Stradivarius may have worked as an apprentice. The violin includes the label Alumnus Nicolais Amati. [1] ex-Sachs
Andrea Amati (c. 1505 – 20 December 1577) designed and created the violin, viola and cello known as the "violin family". Based in Cremona, Italy , he standardized the basic form, shape, size, materials and method of construction.
Stradivari's early (pre-1684) violins are in strong contrast to Amati's instruments from the same time period; Stradivari's have a stronger build; less rounded curves, with the purfling set farther in. [32] [33] By 1680, Stradivari had acquired at least a small, yet growing, reputation.
The Stradivarius instruments are famous for the quality of sound they produce. However, the many blind experiments from 1817 [ 38 ] [ 39 ] to as recent as 2014 [ 40 ] [ 41 ] [ 11 ] have never found any difference in sound between Stradivari's violins and high-quality violins in comparable style of other makers and periods, nor has acoustic ...
[1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played. [3] [4] [5] Many of the surviving instruments were among a consignment of 38 instruments delivered to Charles IX of France in 1574. [6]
The Violin Museum (Italian: Museo del Violino), formerly the Stradivarius Museum (Italian: Museo Stradivari), is a musical instrument museum located in Cremona.The museum is best known for its collection of stringed instruments that includes violins, violas, cellos, and double basses crafted by renowned luthiers, including Antonio Stradivari and Giuseppe Guarneri del Gesù.
Andrea Guarneri (c. 1626 – 7 December 1698) was an apprentice in the workshop of Nicolò Amati from 1641 to 1646 and returned to make violins for Amati from 1650 to 1654. His early instruments are generally based on the "Grand Amati" pattern but struggled to achieve the sophistication of Amati's own instruments.
Crafted for the famous violin dealer David Laurie, "Label reads: Jean Baptiste Vuillaume a Paris, 3 Rue Demour-Ternes, expres pour mon ami David Laurie, 1874", numbered 2976 and signed on the label. It's a copy of a Nicolò Amati violin originally belonging to Prince Youssoupoff (a Russian aristocrat and pupil of Henri Vieuxtemps). Only six ...