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The Pancharatna kritis were written in praise of the Hindu deity Rama.They are set to Adi Tala and each raga represents the mood of the song and the meaning of its lyrics. All the kritis were composed in the style of a Ragam Tanam Pallavi (RTP) with the charanams (stanzas) substituting for the kalpana swaras (improvisatory passages) in the pallavi section of the RTP.
The original Bengali book was translated to English by Swami Jagadananda in 1952 and published by Sri Ramakrishna Math Chennai. This is the original and most complete biography of Sri Ramakrishna. [7] More recently, another English translation has been brought out by Swami Chetanananda, named Sri Ramakrishna and His Divine Play. [8]
Lyrics Raga; 1 "Entharomahanu" K. J. Yesudas: Traditional (Thyaharajan) Sree Ragam 2 "Gokulamthannil" P. Madhuri: Kaithapram: 3 "Jagadananda" Neyveli Santhanagopalan, Bombay Jayashree, Sreemathi Soundaram Krishnan, Sreemathi Bindra: Traditional (Thyagarajan) Naata 4 "Kamalambhike" K. J. Yesudas, Bombay Jayashree: Kaithapram: Keeravani 5 "Ne ...
Nata (nāṭa), also known as Nattai, is a rāgam in Carnatic music (musical scale of South Indian classical music), sometimes spelled Nattai. It is a janya rāgam (derived scale) from the 36th melakarta scale Chalanata.
Sri Rama Rajyam (transl. The Kingdom of Lord Rama) is a 2011 Indian Telugu-language devotional film directed by Bapu (in his last venture) who co-wrote the film with Mullapudi Venkata Ramana, and produced by Yalamanchali Saibabu.
Upadeshasahasri (PDF), translated by Jagadananda, S., Vedanta Press, 1949, ISBN 978-8171200597, OCLC 218363449 Mayeda, Sengaku (1992), "An Introduction to the Life and Thought of Sankara" , in Mayeda, Sengaku (ed.), A Thousand Teachings: The Upadeśasāhasrī of Śaṅkara , State University of New York City Press, ISBN 0-7914-0944-9
Jagadananda Roy (Bengali: জগদানন্দ রায; 1869–1933) was a scientific article writer as well as Bengali science fiction writer. His works were primarily written for teens. Born in an aristocratic family from Krishnanagar, Nadia, he went to teach in a missionary school and wrote popular articles on science.
The Antya-lila describes the devotional plays composed by Rupa Goswami, Chaitanya's interactions with the occasional critics as well as his devotees such as Raghunatha dasa Goswami and Jagadananda Pandita, and Chaitanya's increasing agony of separation from Krishna (viraha or vipralambha bhava).