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The Flute-Player (Gollancz, 1979) is a fiction book by British novelist, poet, playwright and translator Donald Michael Thomas, known as D. M. Thomas. Thomas considers the book to be one of his six strongest novels. [1] It was Thomas's first novel to be published, though it was the second he had written. [2]
1592 painting of the Pied Piper copied from the glass window of Marktkirche in Hamelin Postcard "Gruss aus Hameln" featuring the Pied Piper of Hamelin, 1902. The Pied Piper of Hamelin (German: der Rattenfänger von Hameln, also known as the Pan Piper or the Rat-Catcher of Hamelin) is the title character of a legend from the town of Hamelin (Hameln), Lower Saxony, Germany.
Kokopelli (/ ˌ k oʊ k oʊ ˈ p ɛ l iː / [1]) is a fertility deity, usually depicted as a humpbacked flute player (often with feathers or antenna-like protrusions on his head), who is venerated by some Native American cultures in the Southwestern United States. Like most fertility deities, Kokopelli presides over both childbirth and agriculture.
The Flute-Player, the second novel Thomas wrote, was also published in 1978. [1] Inspired by Russian poetry (especially Anna Akhmatova), it was his first novel to be published and does not contain much dialogue; he had earlier written Birthstone. [12]
Arn Chorn-Pond is the subject of Jocelyn Glatzer's 2003 documentary "The Flute Player." Archived 2008-12-10 at the Wayback Machine. The 2007 opera "Where Elephants Weep", composed by Khmer musician Him Sophy with a libretto by Catherine Filloux, is loosely inspired by the life of Arn Chorn-Pond. [7]
He also wrote The Claudii, Aphrodite, a Story of Ancient Hellas, Decius the Flute-player: a Merry Story of a Musician in Ancient Rome. Works. Venus Urania, 1872;
A man in upstate New York showed off his impressive raccoon charming skills in a recent viral video. Now nicknamed the 'Pied Piper of Raccoons' by the online community, the man is seen luring the ...
To illustrate his article “Android», the Encyclopédie gives an extremely detailed description in 1751, largely taken from the memoir of 1738. [5] The flutist, approximately 1.60 metres (63 in) high, resting on a 1.45 metres (57 in) pedestal hiding the mechanism, was a slightly reduced imitation of the Coysevox faun, dressed in savage clothing.