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The psychology of dance is the set of mental states associated with dancing and watching others dance. The term names the interdisciplinary academic field that studies those who do. The term names the interdisciplinary academic field that studies those who do.
A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340. Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597. Glossary of Dance Terms. New York: New York City Ballet ...
The history of sport psychology dates back to almost 200 years ago, with Carl Friedrich Koch's (1830) publication of Calisthenics from the Viewpoint of Dietetics and Psychology. The first psychology laboratory was established back in 1879 by Wilhelm Wundt, this is where the first experiments of sport psychology were first conducted.
The ballet looks so handsome and its movements are so extraordinarily well‐aligned and well‐attuned to the music that the entire work from beginning to end absolutely sings. It is one of those ballets that you watch with ever developing wonderment and pleasure, and it should, in the future, stand as a kind of signature for the City Ballet ...
Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ballet as a unified work comprises the choreography and music for a ballet
Mary Wigman, who studied with Rudolf von Laban, was among the choreographers whose body-centric innovations influenced the early development of somatics. [6]An early precursor of the somatic movement in Western culture was the 19th-century physical culture movement.
Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
The ballet, The Four Temperaments was the first work Balanchine made for the Ballet Society, the forerunner of the New York City Ballet, and premiered on November 20, 1946, at the Central High School of Needle Trades, New York, during the Ballet Society's first performance. Though at the premiere, critics did not receive the ballet well, it was ...