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The August Wilson Theatre (formerly the Guild Theatre, ANTA Theatre, and Virginia Theatre) is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild .
August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". [ 1 ] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle ) , which chronicle the experiences and heritage of the ...
The educational component of True Colors Theatre Company is the August Wilson Monologue Competition, which was begun in 2007 by Kenny Leon and Todd Kreidler, dramaturg to the playwright August Wilson, after his death in 2005. In 2009 the program became a national program exposing high school students across the United States to the works of ...
Opening night, 1986. August Wilson’s play “Joe Turner’s Come and Gone,” Huntington Theatre Company in Boston. Patti Hartigan, a rising young critic and arts writer, took her seat for the ...
August Wilson poses these questions in his 1984 play, “Joe Turner’s Come and Gone.” He asks them of a motley group of characters inhabiting and surrounding a 1911 Pittsburgh boarding house ...
Pittsburgh native August Wilson's wrote his 1979 group portrait "Jitney," opening at the Vortex Theatre from March 8-24, in tribute to the lives of these drivers. The Hill District was home to ...
The Penumbra Theatre Company, an African-American theatre company in Saint Paul, Minnesota, was founded by Lou Bellamy in 1976. The theater has been recognized for its artistic quality and its role in launching the careers of playwrights including two-time Pulitzer Prize-winner August Wilson. [1] [2] [3] [4]
Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Century Cycle by August Wilson – that chronicles the 20th-century African-American experience. The play is set in a recording studio in 1920s Chicago, and deals with issues of race, art, religion, and the historic exploitation of black recording artists by white producers.