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Spring clamp capo A guitar capo with a lever-operated over-centre locking action clamp Demonstrating the peg removal feature on an Adagio guitar capo. A capo (/ ˈ k eɪ p oʊ ˌ k æ-ˌ k ɑː-/ KAY-poh, KAH-; short for capodastro, capo tasto or capotasto [ˌkapoˈtasto], Italian for "head of fretboard") [a] is a device a musician uses on the neck of a stringed (typically fretted) instrument ...
This is a list of transposing instruments and their transposition. Transposing instruments are instruments for which the convention is to write music notation transposed relative to concert pitch . Instrument family
Chromatic transposition is scalar transposition within the chromatic scale, implying that every pitch in a collection of notes is shifted by the same number of semitones. For instance, transposing the pitches C 4 –E 4 –G 4 upward by four semitones, one obtains the pitches E 4 –G ♯ 4 –B 4.
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of ...
Shubb capos remain a top-selling capo forty years after their invention. [2] Shubb wanted to create a capo that would not make his instrument go out of tune, which has resulted in ongoing efforts to refine his invention. [3] [4] Since 2016 at least 80% of Shubb's Capos are manufactured in China. [5]
Guitarist and songwriter Harvey Reid is a prominent partial capo popularizer. He pioneered most of the known capo configurations, wrote books, and composed and recorded songs using partial capo. Reid published a book in 1980, A New Frontier in Guitar, detailing 25 ways to use a Third Hand Capo, at the time the only partial capo on the market. [2]
Da Capo al Coda (often abbreviated as D.C. al Coda): Repeat from beginning to an indicated place and then play the tail part (the "Coda"). It directs the musician to go back and repeat the music from the beginning ("Capo"), and to continue playing until one reaches the first coda symbol. Upon reaching the first coda symbol, skip to the second ...
The earliest known examples of text referring to music in China are inscriptions on musical instruments found in the Tomb of Marquis Yi of Zeng (d. 433 B.C.). Sets of 41 chime stones and 65 bells bore lengthy inscriptions concerning pitches, scales, and transposition.