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Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
These were produced in the late 18th century by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806) for the prominent merchant Zenno Ihē. The paintings have a reputation as Utamaro's most ambitious works. They are unusually large, and were executed in high-quality coloured pigments on imported Chinese Xuan paper. Utamaro made the ...
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Ukiyo-e art flourished in Japan during the Edo period from the 17th to 19th centuries, and took as its primary subjects courtesans, kabuki actors, and others associated with the "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. [1]
Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of the publication led to another ten prints ...
In his Chats on Japanese Prints of 1915, Arthur Davison Ficke concurred that with Utamaro ukiyo-e entered a period of exaggerated, manneristic decadence. [ 56 ] Laurence Binyon , the Keeper of Oriental Prints and Drawings at the British Museum , wrote an account in Painting in the Far East in 1908 that was similar to Fenollosa's, considering ...