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19th; 20th; 21st; 22nd; 23rd; 24th; Pages in category "19th-century Japanese painters" The following 76 pages are in this category, out of 76 total. ...
19th-century Japanese sculptors (7 P) Pages in category "19th-century Japanese artists" The following 27 pages are in this category, out of 27 total.
This is a list of Japanese artists. This list is intended to encompass Japanese who are primarily fine artists. This list is intended to encompass Japanese who are primarily fine artists. For information on those who work primarily in film, television, advertising, manga, anime, video games, or performance arts, please see the relevant ...
Japonisme [a] is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. [1] [2] Japonisme was first described by French art critic and collector Philippe Burty in 1872. [3]
As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the adaptation of imported ideas, mainly from Chinese painting, which was especially influential at a number of points; significant Western influence only comes from the 19th century ...
Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists, such as Manet and Monet, collected and closely studied Hiroshige's compositions: Vincent van Gogh, for instance, painted copies of some Hiroshige prints.
The Utagawa school of art grew to dominate ukiyo-e in the 19th century with artists such as Utamaro, Hiroshige, and Kuniyoshi. A Perspective View of French Churches in Holland, actually based on a print of the Roman Forum, c. 1770s Perspective Pictures of Places in Japan: Sanjūsangen-dō in Kyoto, depicting an archery competition, c. 1772–1781
Their artistic trajectory began modestly. Prior to the mid-19th century, the Yoshida artists serving the Nakatsu clan presumably provided work in a traditional Japanese style on silk, paper, or board. But then in the Meiji Period, when the structures of Japanese society were changing radically, a young artist by the name of Kasaburo Haruno changed his name to Kasaburo Yoshida (1861–1894 ...