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"Heroes" [a] is the twelfth studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records.Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin.
Bowie composed the song with multi-instrumentalist Brian Eno (pictured in 2008), who had the word heroes in mind for the initial chord sequence.. After completing his work co-producing Iggy Pop's Lust for Life (1977) and various promotional events, David Bowie spent a few weeks devising ideas and concepts with multi-instrumentalist Brian Eno for his next studio album. [1]
Bowie began referring to the three albums as a Berlin-centred trilogy during the promotion of Lodger, although "Heroes" was the only instalment recorded completely in the city; Low was recorded mostly in France, while Lodger was recorded in Switzerland and New York City. Though considered significant in artistic terms, the trilogy has proven ...
A volume shift in the song "' Heroes '" had received particular notice, which Parlophone proceeded to describe as intentional and unalterable, [14] because of damages in the original master tapes. After the critical voices wouldn't lessen, a statement was released on the official Bowie website, announcing corrected replacement discs for the ...
Biographer David Buckley remarked on the song's "doomy sax-driven verses set incongruously aside cheesy choruses". [2] The lyrics have been interpreted as a third-person revisitation of the themes of psychotic withdrawal explored on Bowie's previous album Low ("Pacing their rooms just like a cell’s dimensions"), as well as referencing the characters from his 1970 song "The Supermen" ("They ...
"Blackout" is a song written and recorded by David Bowie in 1977 for the album "Heroes". Author Nicholas Pegg described the track as "typical of the darkly exhilarating sonic schizophrenia of the "Heroes" album", [1] while biographer David Buckley remarked on "a backing verging on industrial". [2]
The man born David Jones adopted the stage name David Bowie in 1966, avoiding confusion with The Monkees’ Davy Jones. But then he just kept on adding more aliases to his roster of identities ...
The recording was culled from concerts in Philadelphia, Providence, and Boston, US, in late April and early May 1978.It primarily included material from Bowie's most recent studio albums to that date, Station to Station, Low, and "Heroes" (both 1977), but also contained five songs from The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972).