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The film is directed by Max Walker-Silverman and produced by Jesse Hope, Dan Janvey, and Paul Mezey. The cast is led by Josh O'Connor and Meghann Fahy and also includes Lily LaTorre, Kali Reis and Amy Madigan.
The plot begins after the Massacre in the Great Temple in Tenochtitlan, and follows a lone Aztec scribe named Topiltzin [toˈpiɬt͡sin], who is captured by Hernan Cortés and placed in the care of a friar. Samuel Zyman's score was recorded by the Academy of Saint Martin in the Fields, conducted by David Snell and performed by Plácido Domingo. [2]
Reconstruction of Moctezuma's Palace in Portrait of Tenochtitlan by Thomas Kole Moctezuma's Palace from the Codex Mendoza (1542). Casas Nuevas de Moctezuma (English: New Houses of Moctezuma) or tecpan [2] is the name of a pre-hispanic residential complex composed of five interconnected palaces with large platforms. [1]
The alliance consisted of the an alliance of three Nahua city-states: Mexico-Tenochtitlan, Tetzcoco, and Tlacopan. Pages in category "Films set in the Aztec Triple Alliance" The following 5 pages are in this category, out of 5 total.
A contingent led by Nezahualcoyotl himself was intended to attack Acolhuacan, only after providing support, upon request, to the first two armies. The coalition conquered Acolman and Otumba, sacking them only due to the sudden Tepanec siege of Tenochtitlan and Tlatelolco. In a tactical move, the three armies united again and then divided into two.
Portrait of Tenochtitlan is a render of Tenochtitlan and the Valley of Mexico at the start of the 16th century by Dutch programmer Thomas Kole using 3D computer graphics. [1] Drone photograpy by Mexican geomatic engineer Andrés Semo was used to compare the past with present-day Mexico City .
After the fall of Tenochtitlan in 1521, the lands controlled by the Aztecs became part of the Spanish empire. All the temples, including Templo Mayor, were sacked, taking all objects of gold and other precious materials. [4] Cortés, who had ordered the destruction of the existing capital, had a Mediterranean-style city built on the site.
Following the priests are a series of images (digging stick, wood, water) that symbolize the reconstruction of Tenochtitlan-Tlatelolco as Mexico City under Tlacotl, [60] whose name is represented by the hand grasping an animal's head. Above the construction is a representation of a battle at Colhuacan.