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The poem is an expression of Stevens' perspectivism, leading from a relatively objective description of a winter scene to a relatively subjective emotional response (thinking of misery in the sound of the wind), to the final idea that the listener and the world itself are "nothing" apart from these perspectives. Stevens has the world look at ...
Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut.
These are poems predominantly from the first book of poems written by the American poet Wallace Stevens and first published in 1923. The second edition of the book was published a decade later. It is not a full list of his poems.
Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1,500 copies. This collection comprises 85 poems, ranging in length from just a few lines (" Life Is Motion ") to several hundred (" The Comedian as the Letter C ") (see the footnotes [ 1 ...
Harold Bloom interprets the poem as belonging to a triad in Harmonium, the other elements being "The Snow Man" and "Tea at the Palaz of Hoon." To master the triad is to reach "the center of Stevens's poetic and human anxieties and of his resources for meeting those anxieties". [6] "
This poem is central to Harold Bloom's reading of Stevens's Harmonium, as marking the poet's progress over the perspectivism of "The Snow Man" and the pessimism of "The Man whose Pharynx was bad". The reader who masters these poems and their interrelationships has, according to Bloom, "reached the center of Stevens's poetic and human anxieties ...
Actor Dan Stevens and director Bharat Nalluri spread the holiday cheer at BUILD Series to discusses their new film, "The Man Who Invented Christmas'
To tether Stevens' poems to human feeling is at least to remove him from the "world of ghosts" where he is so often located, and to insist that he is a poet of more than epistemological questions alone. [4] Vendler and Richardson disagree about how to understand Stevens' distinction between the "true subject" of a poem and "the poetry of the ...