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Let’s be honest: Love songs always hit right in the feels. A ballad can transform from a regular song into the soundtrack of your relationship—whether you’re celebrating your 25th ...
Let’s be honest: Love songs always hit right in the feels. A ballad can transform from a regular song into the soundtrack of your relationship—whether you’re celebrating your 25th ...
The music and lyrics, as well as the singing, belong to Shelley. [11] The song uses the verse-chorus formal pattern and is in the key of E major. Both the verse and the chorus start with C♯ minor chords (sixth degree in E major, and relative minor key of E major), which "give [the song] a distinctly downbeat, edgy feel."
The song is characterized by a signature pattern played on a ukulele, [4] that follows a basic E 5 – B – C#m – A (I 5 – V – vi – IV) progression in the verse, tag and bridge, switching to an A – B – E 5 – B (IV – V – I 5 – V) progression in the chorus. The song's chord structure is arranged in an A B A B A B A form.
"You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of gospel musicians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with blues and blues rock secular adaptations by Mississippi Fred McDowell and the Rolling Stones.
In 1968, Burl Ives covered the song on his album The Times They Are a-Changin'. Billy Strings has also done an acoustic cover. [14] Several country music artists have also covered this song. In 1965, Johnny Cash recorded a version of this song on his Orange Blossom Special album.
Since 2020 brought a lot of uncertainty, this song reminds us to keep our loved ones closer than ever. Listen Now. RELATED: 20 Best Wedding Entrance Songs to Get This Party Started. Add the ...
Drummer Maurice White (better known as a singer for Earth, Wind & Fire) also played on the recording. [6] [7] Motown's Mike Terry played the baritone saxophone. [8] The song was originally written by Chess Records' in-house writers and producers Carl Smith and Raynard Miner, and initially recorded by The Dells for the label, but not released.