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"La Chona" is a song by Mexican norteño band Los Tucanes de Tijuana. It was first released on 19 June 1995, as part of the band's album Me Robaste el Corazón (1995), later being released as a single in 1997. Written by lead vocalist Mario Quintero Lara, the song attained virality in 2018 following its usage in Internet memes and "La Chona ...
In 2019 they became the first regional Mexican music group to perform at the Coachella Valley Music and Arts Festival, held in Indio, California, and have also participated in important musical events in their native country and in other territories like Vive Latino and Pa'l Norte festivals. They have sold more than 25 million albums worldwide ...
Mario Quintero Lara is a Mexican musician and philanthropist who is the leader and primary songwriter of the Regional Mexican band Los Tucanes de Tijuana.During his career, he has achieved more than thirty BMI awards, including a Songwriter of the Year award in 1999 and a BMI Presidential Award in 2019.
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Under the name Chona, she signed a recording contract with OctoArts International in 1986 and released the single "Love Me Again", which was commercially unsuccessful. The following year, she adopted the stage name Regine Velasquez for her debut studio album, Regine (1987), under the guidance of Viva Records executive Vic del Rosario and ...
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...
Trova is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1]
The movement was also aided by legislation like Juan Perón's Decreto 3371/1949 de Protección de la Música Nacional and Law No. 14,226, which required that half of the music played on the radio or performed live be of national origin. [2] National manifestations of nueva canción began occurring in the late 1950s.