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Senegalese Wolof griot, 1890 A Hausa griot performs at Diffa, Niger, playing a komsa ().. A griot (/ ˈ ɡ r iː oʊ /; French:; Manding: jali or jeli (in N'Ko: ߖߋ߬ߟߌ, [1] djeli or djéli in French spelling); also spelt Djali; Serer: kevel or kewel / okawul; Wolof: gewel) is a West African historian, storyteller, praise singer, poet, and/or musician.
The written sources of West African manuscripts and oral sources of West African Islamic culture have historically interacted, converged, and diverged in discourse since the post-classical period of the Western Sudan, and thus, were not historically isolated from one another. [8]
It was one of the first novels to be written in any African language. Fagunwa wrote other works based on similar themes, and remains the most widely read Yorùbá-language author. Amos Tutuola (1920–1997) was greatly inspired by Fagunwa, but wrote in an intentionally rambling, broken English, reflecting the oral tradition of Nigerian Pidgin ...
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another. [1] [2] [3] The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry.
Griots are professional bards in northern West Africa, keepers of their great oral epic traditions and history. They are trusted and powerful advisors of Mandinka leaders. Among the most celebrated of these today are Toumani Diabate , Mamadou Diabate , and Kandia Kouyaté .
Traditional West African music varies due to the regional separation of West Africa, yet it can be distinguished by two distinct categories: Islamic music and indigenous secular music. The widespread influence of Islam on culture in West Africa dates back to at least the 9th century, facilitated by the introduction of camels to trade routes ...
The writing systems of Africa refer to the current and historical practice of writing systems on the African continent, both indigenous and those introduced.In many African societies, history generally used to be recorded orally despite most societies having developed a writing script, leading to them being termed "oral civilisations" in contrast to "literate civilisations".
The enfant terrible is a character appearing in the tales and myths of many cultures of West and Central Africa, mainly among the traditions of the Bambara and Madinka. Recognizable by the unusual circumstances surrounding their birth and an extraordinary precocity the enfant terrible are guilty of transgressive behavior, often destructive or ...