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Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative.This information can be about the setting, characters' backstories, prior plot events, historical context, etc. [1] In literature, exposition appears in the form of expository writing embedded within the narrative.
The Washington Post 's review, written by Ron Charles, praised the novel's structure and Price's writing for giving each character an individual voice. [13] Kirkus Reviews was positive, positively describing the prose and describing the novel as being "kinder and gentler" than Price's previous work. [ 4 ]
Explosion of unserviceable ammunition and other military items The explosion of the Castle Bravo nuclear bomb. An explosion is a rapid expansion in volume of a given amount of matter associated with an extreme outward release of energy, usually with the generation of high temperatures and release of high-pressure gases. Explosions may also be ...
Hiroshima is a 1946 book by American author John Hersey.It tells the stories of six survivors of the atomic bomb dropped on Hiroshima.It is regarded as one of the earliest examples of New Journalism, in which the story-telling techniques of fiction are adapted to non-fiction reporting.
Thursday's blast, suspected to have been caused by an explosion of a gas tank, happened at about 7 a.m. (2300 GMT) at a building in the city's district of Xiangfang, the official China Daily said ...
Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create a beautiful tapestry. [ 6 ] A scene top-heavy with action can feel unreal because it is likely that characters doing something—anything at all—would be talking during the activity.
The subsequent explosion blows apart the yellow cattle-dog and maims numerous others. For half an hour, the Bushmen who witnessed the spectacle are laughing hysterically. Tommy the retriever trots home after Dave, "smiling his broadest, longest, and reddest smile of amiability, and apparently satisfied for one afternoon with the fun he’d had.".
The Adjutant’s death in this explosion is related in the frame narrative. The story conveys a charming if rose-tinted impression of French eighteenth-century court life. “La Canne de jonc” The frame-narrator, writing from the standpoint of 1832, describes how in July 1830 he had met up again with a brother officer, Captain Renaud.