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The effect can be used as a transition between clips as well. For example, to segue from one person in the story to another, a clip might open with a close-up of one person in a photo, then zoom out so that another person in the photo becomes visible. The zooming and panning across photographs gives the feeling of motion, and keeps the viewer ...
A transition that is detected correctly is called a hit, a cut that is there but was not detected is called a missed hit and a position in that the software assumes a cut, but where actually no cut is present, is called a false hit. An introduction to film editing and an exhaustive list of shot transition techniques can be found at film editing.
The defocus transition is a type of transition accomplished by rolling the lens focus until the scene becomes blurred. Passage of time within a scene can be suggested by refocusing the shot after alterations are made in the scene: change of costume, lighting, and other continuity elements.
An editorial transition signified by the immediate replacement of one shot with another. Cross-cutting Cutting between different events occurring simultaneously in different locations. Especially in narrative filmmaking, cross-cutting is traditionally used to build suspense or to suggest a thematic relationship between two sets of actions.
Optical effects (also called photographic effects) are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposures, mattes, or the Schüfftan process or in post-production using an optical printer. An optical effect might place actors or sets against a different background.
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A dissolve transition between two still images. In the post-production process of film and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to
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