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Its vitality and flexibility allow original corrido lyrics to be built on non-Mexican musical genres, such as blues and ska, or with non-Spanish lyrics, like the famous song El Paso by Marty Robbins, and corridos composed or translated by Mexican indigenous communities or by the "Chicano" people in the United States, in English or "Spanglish ...
Corridos tumbados (Spanish pronunciation: [koˈriðos tumˈbaðos]), also known as trap corridos, is a subgenre of regional Mexican music, specifically of a corrido, with musical elements of a narcocorrido and rap music. [1] Its style originated in the mid-2010s; starting in 2020, it was popularized by Mexican musician Natanael Cano.
"La Adelita" is one of the most famous corridos of the Mexican Revolution. Over the years, it has had many adaptations. The ballad was inspired by Adela Velarde Pérez, a Chihuahuense woman who joined the Maderista movement in the early stages of the revolution and fell in love with Madero. She became a popular icon and a symbol of the role of ...
Corridos Tumbados, an extension of Narcocorridos, takes on the genre's principles with an influence of rap and trap, touching on topics like drug violence, social issues, and sexualization.
"Corrido de la Cucaracha", lithograph (published in 1915) by Antonio Vanegas Arroyo. La Cucaracha (Spanish pronunciation: [la kukaˈɾatʃa], "The Cockroach") is a popular folk song about a cockroach who cannot walk. The song's origins are Spanish, [1] but it became popular in the 1910s during the Mexican Revolution. [2]
Cobos was multilingual and spoke Spanish, English, French, Italian, Portuguese and German. Cobos was born in Piedras Negras, Coahuila in 1911 and moved to San Antonio, Texas with his family in 1925 after the death of his father. In 1927 the family moved to Albuquerque, New Mexico where Cobos starting taking classes at the Menaul School. Cobos ...
"Modo Capone" is a song of the corridos tumbados subgenre. [4] On the near end of the song, it transitions into a hip hop beat, which features hi-hats and a synth line. [ 5 ] Drake, lyrically, sings about money, wearing jewelry and fleeing to Toronto with a woman.
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