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Its vitality and flexibility allow original corrido lyrics to be built on non-Mexican musical genres, such as blues and ska, or with non-Spanish lyrics, like the famous song El Paso by Marty Robbins, and corridos composed or translated by Mexican indigenous communities or by the "Chicano" people in the United States, in English or "Spanglish ...
Corridos tumbados (Spanish pronunciation: [koˈriðos tumˈbaðos]), also known as trap corridos, is a subgenre of regional Mexican music, specifically of a corrido, with musical elements of a narcocorrido and rap music. [1] Its style originated in the mid-2010s; starting in 2020, it was popularized by Mexican musician Natanael Cano.
"La Adelita" is one of the most famous corridos of the Mexican Revolution. Over the years, it has had many adaptations. The ballad was inspired by Adela Velarde Pérez, a Chihuahuense woman who joined the Maderista movement in the early stages of the revolution and fell in love with Madero. She became a popular icon and a symbol of the role of ...
Corridos Tumbados, an extension of Narcocorridos, takes on the genre's principles with an influence of rap and trap, touching on topics like drug violence, social issues, and sexualization.
A recent trend of hyper-violent narcocorridos has been labeled Movimiento alterado, a Spanish term translated as Agitated movement or the Altered movement, [12] The name is a reference to the physiological effect of cocaine consumption, an altered state of mind.
What does it mean to you to represent música Mexicana and Mexican culture on a global level? It is an honor to represent my country and to take Mexican music global.
"Corrido de la Cucaracha", lithograph (published in 1915) by Antonio Vanegas Arroyo. La Cucaracha (Spanish pronunciation: [la kukaˈɾatʃa], "The Cockroach") is a popular folk song about a cockroach who cannot walk. The song's origins are Spanish, [1] but it became popular in the 1910s during the Mexican Revolution. [2]
"CH y la Pizza" is a song recorded and performed by the American group Fuerza Regida and the Mexican rapper Natanael Cano. It was written by Daniel Candia and Miguel Armenta and produced by Jesús Ortíz Paz, who is also the group's vocalist. [1]