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The X-T3 is capable of recording video in 4K resolution up to 60 fps. The X-T3 is intended to be sold new either as the camera body only, or with the 18-55 mm lens. The camera is available in 2 colors, black and silver [5] and is styled after an SLR camera. The X-T4, which was announced on February 26, 2020, is the successor to the X-T3. [6]
The multicam LSM's features are Instant replay, slow-motion, High-motion, super motion, Rough cut, editing, video playlist and content management. Combined with the remote controller, it allows users to instantly make clips of ingested media, review multiple camera angles and replay them at any speed between -400 and + 400% at a very high ...
This video server was built and designed to allow broadcasters to record, control and play media. It is capable of handling up to 12 channels of SD/HD, 6 channels of 3D/1080p (3G or dual link), as well as 3 channels in 4K resolution. [1] [2] Multicam(LSM) which controls XT3 servers or previous generations (XT2+, XT2, XT)
These are entry level zoom lenses with smaller maximum aperture and plastic bodies. Fujinon XC 15-45mm f/3.5-5.6 OIS PZ: This is a lightweight, collapsible, consumer-grade power zoom lens with a short 13 cm close focusing distance. It is the kit lens for the X-A5 and X-T100, as well as their respective successors, the X-A7 and the X-T200.
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus [1] or register, depending on the usage and source) of a lens mount system is the distance from the ...
Under certain conditions, cameras equipped with X-Trans II and III sensors can exhibit purple flare/grid artifacts in backlit photos. [7] This occurs due to the particular arrangement of the phase detection and masking layers on the sensor.
Some are supported by two rods that run the length of the camera, while others are supported by the lens itself. A matte box may have a bellows, a rigid sunshade, or both. If both, the bellows is positioned within the rigid sunshade, having a mask which may be adjusted forward or backward to suit the angle of view of the camera system.
Open matte is a filming technique that involves matting out the top and bottom of the film frame in the movie projector (known as a soft matte) for the widescreen theatrical release and then scanning the film without a matte (at Academy ratio) for a full screen home video release. It is roughly equivalent to an uncropped version of the film.