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"Soon May the Wellerman Come", also known as "Wellerman" or "The Wellerman", is a folk song in ballad style [2] first published in New Zealand in the 1970s. The "wellermen" were supply ships owned by the Weller brothers , three merchant traders in the 1800s who were amongst the earliest European settlers of the Otago region of New Zealand.
Others sang their own version, or added their own contribution to the video from Evans. The trend sparked a huge interest in sea shanties, with hundreds of thousands of people discovering The Albany Shantymen's recording of " Wellerman ", originally released on their 2020 album Are You With Me Lads?
The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video.
Like with "Wellerman", two versions were released: a folk-pop version and a dance-pop remix by Digital Farm Animals. [22] Evans released his third single, "Ring Ding (A Scotsman's Story)", on 8 October 2021. [23] In April 2022, Evans helped publicise the Doctor Who story "Legend of the Sea Devils" with an adaptation of "Wellerman". [24]
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Here's how popular rom-coms and romantic dramas like "The Half of It," "The Kissing Booth 2," and "To All the Boys I've Loved Before" stack up.
Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords. On the other hand, bebop jazz songs may have 32-bar song forms with one or two chord changes every bar.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...