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"Hi-Heel Sneakers" (often also spelled "High Heel Sneakers") is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues, with "a spare, lilting musical framework", and a strong vocal. [2] The song's rhythmic approach has also been compared to that of Jimmy Reed. [3]
Special pages; Permanent link; ... Pages in category "Songs about shoes" The following 14 pages are in this category, out of 14 total. ... Red High Heels; S.
"Red High Heels" is a song written by Chris Lindsey, Aimee Mayo, Karyn Rochelle, and co-written and recorded by American country music artist Kellie Pickler. The song was the debut single off her debut album Small Town Girl (2006). "Red High Heels" peaked at number 15 on the Billboard Hot Country Songs chart and number 64 on the Billboard Hot 100.
His character, the main antagonist, is on a mission to steal the "cha cha heels", which are a pair of red high heels similar to the black high heels desired by Dawn Davenport, Divine's character in the 1974 film Female Trouble. Eartha Kitt, as the owner of the shoes, instructs her henchman to retrieve them.
Tommy Tucker (born Robert Higginbotham; March 5, 1933 – January 22, 1982) [1] was an American blues singer-songwriter and pianist. He is best known for the 1964 hit song, "Hi-Heel Sneakers", that went to No. 11 on the Billboard Hot 100 chart, and peaked at No. 23 in the UK Singles Chart.
"High Heeled Shoes" is the debut single by English singer Megan McKenna. It was released through digital stores and streaming services on 6 September 2017, alongside its B-side, "Far Cry from Love". [1] The song peaked at number 43 on the UK Singles Chart.
Let’s be honest: Love songs always hit right in the feels. A ballad can transform from a regular song into the soundtrack of your relationship—whether you’re celebrating your 25th ...
Years later he played the memorable harmonica solo in Johnny Rivers' version of the same song. Riley later started two other labels, Nita and Mojo. [2] In 1962, he moved to Los Angeles and worked as a session musician with Dean Martin, the Beach Boys, Herb Alpert, and Sammy Davis Jr., among others, and also recorded under various aliases. [2]