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The term padavali (also written padaabali) has the literal meaning "gathering of songs" (pada=short verse, lyric; +vali = plural; collection). The padavali poetry reflects an earthy view of divine love which had its roots in the Agam poetry of Tamil Sangam literature (600 BC–300 AD) and spread into early medieval Telugu ( Nannaya , Annamayya ...
The Bhanusimha poems chronicle the romance between Radha and Krishna which is a traditional theme of Indian poetry. The poet sought connection with divinity through appeal to nature and the emotional interplay of human drama. He repeatedly revised the poems over the following seventy years. [5] [6] Song VIII of Bhanusimha Thakurer Padavali:
Balantrapu Rajanikanta Rao (Telugu: బాలాంత్రపు రజనీకాంత రావు; 29 January 1920 – 22 April 2018) was an Indian writer, composer and poet in the Telugu language. He was the son of Balantrapu Venkatarao, one of modern Telugu poet-duo "Kavi Rajahamsa" Venkata Parvateswara Kavulu. He won several national ...
Mutyala Saralu (Telugu: ముత్యాల సరాలు) is a compilation of Telugu poems written by Gurajada Apparao in 1910. The compilation heralded the beginning of modern poetry in Telugu language. [1] The traditional meter is replaced by a new lyrical and four beat balladic rhythm.
Tirupati Venkata Kavulu (transl. Poets Tirupati & Venkata) refers to the Telugu poet duo Divakarla Tirupati Sastry (1872–1919) and Chellapilla Venkata Sastry (1870–1950). These twin poets are acclaimed as the harbingers of modern poetry in Telugu . [ 1 ]
Govindadasa's poetry has been translated into English by Arun Biswas, Denise Levertov, and others. Here is a poem on Radha's anguish, where Govindadas personally enters the fray with some (not very sympathetic) advice for Radha: The marks of fingernails are on your breast and my heart burns. Kohl of someone's eyes upon your lips darkens my face.
He wrote the first major Prabandha, a form of fictional poetry in Telugu, and for this reason, he is revered as Andhra Kavita Pitamahudu (the grand father of Telugu poetry). It is believed that he was also a minister in the king's court and is hence sometimes referred as Peddanaamaatyudu (Sandhi: Peddana + Amaatyudu = Peddana, the minister).
These poems were later imitated by many Telugu poets including Chemakura Venkata Kavi. Similar to Pingali Surana, he also wrote a dvayarthi (double entendre) work called Harischandra Nalopakhanam. Each poem of story narrates to life of the kings Harischandra and Nala. As he was also a musician, some of his poetic compositions had a musical flow ...