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Lombardic capitals is the name given to a type of decorative uppercase letter used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. [1] They are characterized by their rounded forms with thick, curved stems. Paul Shaw describes the style as a "relative" of uncial writing. [2]
(In this case, "Antiqua" is another word for the "Roman" style of typefaces that Palatino is based on, as opposed to blackletter. [18]) Preissig Antiqua: designed by Vojtěch Preissig Renner Antiqua: designed by Paul Renner, revived by Patrick Strietzel (1939), crafted at D. Stempel AG Foundry. [3] Zapf Renaissance Antiqua: another Zapf typeface.
The svelte French style reached its fullest refinement in the roman types attributed to the best-known figure of French typography—Claude Garamond (also Garamont). In 1541 Robert Estienne, printer to the king, helped Garamond obtain commissions to cut the sequence of Greek fonts for King Francis I of France, known as the "grecs du roi". A ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Insular G, a shape of the Latin letter G once used in Ireland and Great Britain Insular R. In digital typography, the Medieval Unicode Font Initiative (MUFI) is a project which aims to coordinate the encoding and display of special characters in medieval texts written in the Latin alphabet or in runes, [1] which are not otherwise encoded as part of Unicode.
Goudy Old Style (also known as just Goudy) is an old-style serif typeface originally created by Frederic W. Goudy for American Type Founders (ATF) in 1915.. Suitable for text and display applications, Goudy Old Style matches the historicist trend of American printing in the early twentieth century, taking inspiration from the printing of the Italian Renaissance without a specific historical model.
The distinction made by Unicode between character and glyph variant is somewhat problematic in the case of the runes; the reason is the high degree of variation of letter shapes in historical inscriptions, with many "characters" appearing in highly variant shapes, and many specific shapes taking the role of a number of different characters over the period of runic use (roughly the 3rd to 14th ...
A page from the Nuremberg Chronicle (Schedelsche Weltchronik), 1493. The German word Schwabacher (pronounced [ˈʃvaːˌbaxɐ]) refers to a specific style of blackletter typefaces which evolved from Gothic Textualis (Textura) under the influence of Humanist type design in Italy during the 15th century.