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The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. [5]
The dominant form of German lyric poetry in the period was the minnesang, "a love lyric based essentially on a fictitious relationship between a knight and his high-born lady". [12] Initially imitating the lyrics of the French troubadours and trouvères, minnesang soon established a distinctive tradition. [12]
Lyric poetry is a form of poetry that expresses a subjective, personal point of view; Lyric, from the Greek language, a song that is played with a lyre; Lyric describes, in the classification of the human voice in European classical music, a specific vocal weight and a range at the upper end of the given voice part
Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music, it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants.
Lyric setting is the process in songwriting of placing textual content in the context of musical rhythm, in which the lyrical meter and musical rhythm are in proper alignment as to preserve the natural shape of the language and promote prosody.
Greek poetry meters are based on patterns of long and short syllables (in contrast to English verse, which is determined by stress), and lyric poetry is characterized by a great variety of metrical forms. [4] Apart from the shift between long and short syllables, stress must be considered when reading Greek poetry.
Speculative poetry, also known as fantastic poetry (of which weird or macabre poetry is a major sub-classification), is a poetic genre which deals thematically with subjects which are "beyond reality", whether via extrapolation as in science fiction or via weird and horrific themes as in horror fiction. Such poetry appears regularly in modern ...
The lyrics can be on various themes. The earliest odes in the English language, using the word in its strict form, were the Epithalamium and Prothalamium of Edmund Spenser. [2] In the 17th century, the original odes in English were by Abraham Cowley. These were iambic, but had irregular line length patterns and rhyme schemes.