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Since his youth, Noguchi has been inspired by science fiction, samurai films, history, and plastic models, and he uses these as influences in his paintings and sculptures. [4] He was first inspired by a photo of a samurai taken around the end of the Tokugawa period , as well as by the works of Kobori Tomoto . [ 4 ]
Painter, mostly in the Yōga style, and art professor Toyozo Arakawa: 1874–1985 Well-known ceramic painter Ito Yuhan: 1882-1951 Woodblock print artist of the shin hanga movement Kotaro Takamura: 1883–1956 Sculptor and poet, combining Western styles with Japanese tradition Rosanjin: 1883–1959 Calligrapher, ceramicist and restaurateur ...
Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai is an ukiyo-e woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni I. Featuring two of the most prominent actors of the day as characters in a contemporary kabuki drama, it is a classic example of the kabuki-e or yakusha-e genre.
Musha-e (武者絵) is a type a Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e woodblock printing technique, and represents images of warriors and samurai from Japanese history and mythology. [1] [2]
Like all the prints in this series, the white title cartouche is embossed with the pattern of a textile. The ghost has blue lips, a convention also used for corpses. Iga no Tsubone’s hair is remarkable both for its fine carving, and for the part it plays in one of Yoshitoshi’s boldest designs." Block-cutter: Enkatsu (Noguchi Enkatsu).
While front area of the museum is devoted to the art collection of the museum, the main larger body of the museum is dedicated to a large collection of armour and weapons. The museum has over half of its collection on display in a large display area , [ 2 ] and with over 200 suits of samurai armour, it is the largest and most diverse collection ...