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During the 1920s Buescher also made small numbers of tipped-bell soprano, straight alto, and straight tenor saxophones. Buescher stayed true to Adolphe Sax's concept for saxophone sound into the early 1930s, gaining the favor of classical saxophonist Sigurd Rascher and those influenced by him. Buescher adapted its sound concept to the bigger ...
Some horns built from extra parts or reconfigured bear an X on the serial number on the second valve casing, others had a digit added to the original serial number. In some cases, the same serial number exists on another horn. [8] After WWII, Bach was similarly creative in the first years with manpower and material shortages.
Under Greenleaf's saxophone specialists Allen Loomis and Hugh Loney, C. G. Conn's research and development resulted in the designs of the 6M alto (1931), 10M tenor (1934), and 12M baritone (1930). The 12M baritone was the first saxophone with both bell keys on the right side, followed by the King Voll-True II (1932) and Selmer Balanced Action ...
A major selling point for the C melody saxophone was the fact that in contrast to other saxophones, it was not a transposing instrument.As a result, the player could read regular printed music (e.g. for flute, oboe, violin, piano, guitar or voice) without having to transpose or read music parts that have been transposed into B ♭ or E ♭, which most other saxophones would require.
A "Sax-Clarinet" appeared in the Couesnon catalogue of 1934. [3] Couesnon instruments are amongst the most common instruments around today. In 1923 the Gretsch Musical Instrument Company advertised a new invention called the Saxonette, [ 4 ] which was identical to Buescher's Clariphon.
H. N. White became a major player in the saxophone market dominated by Buescher, C.G. Conn, and Martin during the interwar years. King saxophones had brazed-on tonehole chimneys, which have significant advantages over both the soldered-on and drawn types used by other manufacturers. Brazing was also a relatively high cost process.
Raschèr responded to this lack of supply by engaging a manufacturer to make a "Sigurd Raschèr brand" mouthpiece, which was simply a virtual duplication of the mouthpieces that had been readily available from American saxophone manufacturers Buescher, Conn and others in the 1920s. The Raschèr mouthpiece is still manufactured today.
Holton also began production of saxophones in the late Chicago days, and would remain in production of such instruments into the post World War II era. Holton saxophones never enjoyed the reputation or sales of their competitors C.G. Conn, Buescher, Martin, or King, but generate interest for the idiosyncratic keywork on some early models.