Search results
Results From The WOW.Com Content Network
Color management is the process of ensuring consistent and accurate colors across various devices, such as monitors, printers, and cameras.It involves the use of color profiles, which are standardized descriptions of how colors should be displayed or reproduced.
Video-capture capability is not confined to camcorders. Cellphones, digital single-lens reflex and compact digicams, laptops and personal media players offer video-capture capability, but most multipurpose devices offer less video-capture functionality than an equivalent camcorder. Most lack manual adjustments, audio input, autofocus and zoom ...
Optical sorting (sometimes called digital sorting) is the automated process of sorting solid products using cameras and/or lasers.. Depending on the types of sensors used and the software-driven intelligence of the image processing system, optical sorters can recognize an object's color, size, shape, structural properties and chemical composition. [1]
It has a 2.5 inch LCD display and 0.44 inch viewfinder, a bulky auto/manual focus button on the front, and a large rubber manual focus ring for quick or pull focusing. It also includes such features as 3 1 ⁄ 4 ″ CCDs , manual and auto focus and white balance, and the ability to attach a wide variety of accessories, making it popular with ...
The Farnsworth–Munsell 100 Hue Color Vision test is a color vision test often used to test for color blindness.The system was developed by Dean Farnsworth in the 1940s and it tests the ability to isolate and arrange minute differences in various color targets with constant value and chroma that cover all the visual hues described by the Munsell color system. [1]
Researchers use daylight as the benchmark to which to compare color rendering of electric lights. In 1948, daylight was described as the ideal source of illumination for good color rendering because "it (daylight) displays (1) a great variety of colors, (2) makes it easy to distinguish slight shades of color, and (3) the colors of objects around us obviously look natural".
Paillard Bolex was slow to introduce a Super 8 camera although they quickly modified the 18-5 Auto 8 mm projector for Super 8 as the 18-5 L. At about this time(1966), the Bolex 16 Pro Camera was introduced to compete with the Arriflex 16 BL camera, as a technically advanced professional camera more suited for television use than the H16.
Most digital cameras allow users to capture and analyze image information from the same sensor as used for image recording in real-time. Using this information for exposure and focus determination inherently eliminates most alignment and calibration issues, while simultaneously eliminating the cost of secondary metering sensors.