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Most publishers permit self-archiving of the postprint version of the author's own chapter (if contributed to only one chapter) or 10% of the total book (if contributed to multiple chapters). [3] The notable exception is Elsevier, which is the largest publisher to not permit chapter archiving under any circumstances. [4]
The alternative and independent publishers Fantagraphics and Dark Horse Comics entered the field during this period as well. Creator-owned properties allowed series to continue with multiple publishers as circumstances required; Usagi Yojimbo for instance has been published by four succeeding publishing houses. [citation needed]
The compiler, or author of the collection, owns copyright in the expression he or she contributed, which is primarily the selection and arrangement of the separate contributions, but may include such things as a preface, advertisements, etc., that the collective author created. [28]
That battle heated up this week when Spotify, Apple, Amazon, Pandora and Google filed documents with the CRB this week suggesting rates for the forthcoming period, provoking howls of outrage from ...
In the UK, the publisher of a work automatically owns the copyright in the "typographical arrangement of a published work", i.e. its layout and general appearance as a published work. This copyright lasts for 25 years after the end of the year in which the edition containing that arrangement was first published. [59]
The co-publishing ("co-pub") deal is perhaps the most common publishing agreement. Under this deal, the songwriter and the music publisher are "co-owners" of the copyrights in the musical compositions. The writer becomes the "co-publisher" (i.e. co-owner) with the music publisher based on an agreed split of the royalties.
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