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California Spring (painting) Cart with Black Ox; Cart with Red and White Ox; Cattle of Helios; The Colossus (painting) The Cornell Farm; Cow tools; Cow Wallpaper; The Cow with the Subtile Nose; Cow's Skull: Red, White, and Blue; Cowboys and Herds in the Maremma; A Cowherd at Valhermeil, Auvers-sur-Oise; The Cows (painting) Cows and Groomers ...
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
Cows Crossing a Ford is an oil on canvas painting by French artist Jules Dupré, from 1836.It is in the collection of the Metropolitan Museum of Art, in New York. [1]The work depicts farmers driving their cattle across a river in Limousin, a region of central France.
It depicts a cow skull centered in front of what appears to be a cloth background. In the center of the background is a vertical black stripe, surrounded by two vertical stripes of white laced with blue. Outside are two vertical red stripes. O'Keeffe created the 39 7/8 x 35 7/8-inch (101.3 x 91.1 cm) oil painting on canvas in 1931.
The painting depicts frequent subjects of Cuyp's, cows, and was painted prior to the artist's decamping for Rhineland. The canvas shows a group of five cows near the margin of a river, from which only one appears drinking. Several sailing boats are seen, at the right, in the distance. The cloudy sky shows also several birds in their flight. [1]
Yellow Cow (German: Gelbe Kuh) is a painting by the German artist Franz Marc, dating to 1911. It is one of the artist's most well known works, and is one of several of his depictions of animals in Expressionist style. This work is oil on canvas and measures 140.5 x 189.2 centimeters. [1]
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The painting was made by van Gogh during his stay in Auvers-sur-Oise, with Doctor Gachet. It is a copy, like van Gogh made many, of a study by Jacob Jordaens exhibited at the Palais des Beaux-Arts in Lille. The painting was not copied directly, but from an etching by Doctor Gachet from 1873, signed with his artist name, Paul van Ryssel.