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Like a pipe organ, a harpsichord may have more than one keyboard manual [b] and even a pedal board. Harpsichords may also have stop levers which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of ...
Concerto Hob. XVIII:2 in D major for organ (or harpsichord) and orchestra (1767) Concerto Hob. XVIII:6 in F major for violin and organ (or harpsichord) with string orchestra (1766) Haynes, Battison. Organ Sonata in D minor, op. 11 (1883) Hindemith, Paul. Kammermusik No. 7 for organ and chamber orchestra, Op. 46, No. 2 (1927) Organ Sonata No. 1 ...
Much keyboard music of the Late-Medieval and Renaissance was often played interchangeably on organ, harpsichord, clavichord and the like, with the exception of liturgical music (Mass, Magnificat and Latin hymns versets, chorale settings, etc.) which are thought to have been played primarily on the organ.
The Czech composer František Xaver Brixi wrote at least six concertos for organ (or harpsichord) and chamber orchestra, e.g.: Concerto in D major for organ and chamber orchestra (two horns, two violins and bass): Allegro moderato – Adagio – Allegro (manuscript: Universitäts- und Landesbibliothek, Bonn: Ec 252.5; RISM 450.064.567).
The harpsichord part in the first movement of BWV 1053 differs from the 1726 organ part in several ways in the solo passages: in the right hand the melody line became far more elaborate and ornamental; and in the left hand the figured bass line was replaced by a denser texture of fully worked out figures and chords—the left hand was ...
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for ...
Organ builders choose different divisions to accommodate the type of music played, the space in which the organ is installed, as well as the desired character and tone of the instrument. Various other controls, such as stops, pistons, and registration presets are usually located adjacent to the manuals to allow the organist ready access to them ...
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.