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The Red Detachment of Women (Chinese: 红色娘子军; pinyin: Hóngsè niángzǐ jūn) is a Chinese ballet which premiered in 1964 and was made one of the Eight Model Operas which dominated the national stage during the Cultural Revolution.
The Red Detachment of women is a famous red classic, which shows the revolutionary spirit, gender consciousness and liberation concept in China's revolutionary struggle. The red thought to be conveyed in the film can be summarized as "communism is true, the party is the leader", relying on the collective strength of the proletariat to achieve ...
Red Detachment of Women may refer to: The Red Detachment of Women, a film directed by Xie Jin, based on a novel and well-known Chinese revolutionary themes; Red Detachment of Women, a Chinese ballet (based on the 1961 film) which premiered in 1964; The Red Detachment of Women, a filmed performance of the ballet
The Red Detachment of Women (Chinese: 红色娘子军; pinyin: Hóngsè Niángzǐjūn) is a 1970 Chinese filmed performance of the Chinese ballet of the same name (originally produced in 1964) – which itself was a version of director Xie Jin's original 1961 film.
The Red Detachment of Women. Jiang Qing was the chief advocate and engineer of the transformation from traditional operas to revolutionary ones, and chose the Peking opera as her "laboratory experimentation" for accomplishing this radical change in theater art. [1]
A scene from The Red Detachment of Women: soldiers of the Women's Detachment performing rifle drill in Act II, from the 1972 National Ballet of China production. Li was born 1 October 1931 in Harbin, Heilongjiang province in Japanese-occupied Northeast China. He joined the Chinese Communist Party in March 1961. [1] [2]
Chen Qiang was a film and stage actor best known for his performances as antagonists in The Red Detachment of Women, The White Haired Girl and Devils on the Doorstep. His performance in The White Haired Girl gained the Special Recognition Award in 6th Karlovy Vary International Film Festival. Wang Dachun A farmer, a neighbor and fiancé of Xier.
Red Detachment of Women, one of the Eight-model plays with Communist themes. The culture of the People's Republic of China (PRC) is a rich and varied blend of traditional Chinese culture with communist and other international modern and post-modern influences.