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In visual arts, the support is a solid surface onto which the painting is placed, typically a canvas or a panel. Support is technically distinct from the overlaying ground , [ 1 ] but sometimes the latter term is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco .
Two decorative Corinthian pilasters in the Church of Saint-Sulpice (Paris). In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall.
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" [1] or "support"). [2] The medium is commonly applied to the base with a brush , but other implements, such as knives, sponges, and airbrushes , may be used.
The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining. Most often a new support will be added directly to the back of an existing ...
Wall framing in house construction includes the vertical and horizontal members of exterior walls and interior partitions, both of bearing walls and non-bearing walls. . These stick members, referred to as studs, wall plates and lintels (sometimes called headers), serve as a nailing base for all covering material and support the upper floor platforms, which provide the lateral strength along a
The horizontal elements are called by a variety of names including lintel, header, architrave or beam, and the supporting vertical elements may be called posts, columns, or pillars. The use of wider elements at the top of the post, called capitals , to help spread the load, is common to many architectural traditions.
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Supports/Surfaces was an art movement in the late 1960s and early 1970s which came out of the south of France. [1] [2] It has significantly impacted contemporary art.The group combined a material examination of the formal elements of painting with a rigorous political and philosophical stance.