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Richard David Shepherd CBE FRSA FGRA (25 April 1931 – 19 September 2017) [1] was a British artist and one of the world's most outspoken conservationists. [2] He was most famous for his paintings of steam locomotives (he owned a number of them) and wildlife, although he also often painted aircraft, portraits (notably The Queen Mother) and landscapes.
Heinrich Heine uses the cry in his cycle of poems Die Nordsee published in Buch der Lieder in 1827. [8] The first poem of the second cycle, Meergruß ('Sea Greeting'), begins: Thalatta! Thalatta! Sei mir gegrüßt, du ewiges Meer! ('Sea! Sea! Be greeted by me, you eternal sea!')
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To the royal sages, the white elephant signifies royal majesty and authority; they interpreted the dream as meaning that her child was destined for greatness as a universal monarch or a buddha. [7] Elephants remain an integral part of religion in South Asia and some are even featured in various religious practices. [8]
The triumph of Dionysus, depicted on a 2nd-century Roman sarcophagus. Dionysus rides in a chariot drawn by panthers; his procession includes elephants and other exotic animals. The Dionysiaca / ˌ d aɪ. ə. n ɪ ˈ z aɪ. ə. k ə / (Ancient Greek: Διονυσιακά, Dionysiaká) is an ancient Greek epic poem and the principal work of Nonnus.
Sabbath Morning at Sea" is a poem by Elizabeth Barrett Browning first published in 1839, which Sir Edward Elgar set to music in 1899 as the third song in his song-cycle Sea Pictures. [ 1 ] Poem
[7] [10] On the way out to sea, the captain sees a mermaid with a "comb and a glass in her hand". [ 10 ] Three parallel stanzas most often follow describing how three of the crew members, contemplating impending disaster, would rather be somewhere else than on the ocean floor; for example, the cook would rather be with his pots and pans. [ 7 ]
“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1] The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe ...