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In literary criticism, a bildungsroman (German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːn], plural bildungsromane, German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːnə]) is a literary genre that focuses on the psychological and moral growth of the protagonist from childhood to adulthood (coming of age), [1] in which character change is important.
Hopepunk describes works such as books, movies, and television shows, that reveal hope in the face of challenges and act as a counter to pessimism. [7] Scholar Elin Kelsey describes it as "a narrative of positive resistance" and contrasts it with noblebright , which takes as its premise that not only are there good fights worth fighting, but ...
In film, coming-of-age is a genre of teen films. Coming-of-age films focus on the psychological and moral growth or transition of a protagonist from youth to adulthood. A variant in the 2020s is the "delayed-coming-of-age film, a kind of story that acknowledges the deferred nature of 21st-century adulthood", in which young adults may still be exploring short-term relationships, living ...
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List of Arrested Development characters; Lists of Arrowverse characters. List of Arrow characters; List of Batwoman characters; List of Black Lightning characters; List of Legends of Tomorrow characters; List of The Flash characters; List of Being Human characters; List of Being Human (North American TV series) characters; List of Beverly Hills ...
The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. ISBN 978-1-4616-0422-8. Bridges, Herb (1998). The Filming of Gone with the Wind. Mercer University Press. ISBN 978-0-86554-621-9. Harwell, Richard Barksdale (1 February 1992). Gone With the Wind As Book and Film. University of South Carolina Press.
Character creation, especially for games Experience point (character advancement), increase in scores and other changes of a game character; for example, in role-playing video games Moral character , a term used in many educational systems to indicate a strategy for the maturation of individual students
This character archetype of the 1930s → 1950s of a tough-talking, self-possessed, and independent woman — a good film role with much screen-time and character development who sparked against and vied with the male lead role, often Gary Cooper or Cary Grant — and was popularized in the film noir thrillers and screwball comedy films of ...