Search results
Results From The WOW.Com Content Network
In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
Other terms used to discuss particular pieces include: Note—an abstraction that refers to either a specific pitch or rhythm, or the written symbol; Chord—a simultaneity of notes heard as some sort of unit; Chord progression—a succession of chords (simultaneity succession) For a more comprehensive list of terms see: Outline of music
The composition of timbre-centered music in the nomadic communities of Tuva involves mimicry of sounds heard in the environment. Timbral listening is a fundamental component of listening to, understanding and being able to correctly perform this music using vocal techniques such as throat singing "khoomei" and harmonic producing instruments such as the jaw harp, bzaanchy, shoor, qyl qiyak, qyl ...
Musical expression is the art of playing or singing with a personal response to the music. [1] At a practical level, this means making appropriate use of dynamics, phrasing, timbre and articulation to bring the music to life. [2] Composers may specify these aspects of expression to a greater or lesser extent in the notation of their musical score.
Timbre, sometimes called "color" or "tone color" is the quality or sound of a voice or instrument. [97] Timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness. For example, a 440 Hz A note sounds different when it is played on oboe, piano, violin, or
The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
They can also modify an event's timbre, dynamics, and pitch. [1] Musical articulation is analogous to the articulation of speech, and during the Baroque and Classical periods it was taught by comparison to oratory. [2] Western music has a set of traditional articulations that were standardized in the 19th century [3] and remain widely used. [1]
The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. [2]