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Keening (Irish: caoineadh, pronounced [ˈkiːnʲə]) is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition, known to have taken place in Ireland and Scotland. Keening, which can be seen as a form of sean-nós singing , is performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is ...
[a] Another variant of the tune, commonly used in Irish and Scottish hymnals (including the Hymnbooks of the Church of Scotland), fits the 10.10.10.10 metre and is not suitable for "Lord of all Hopefulness". [4] [a] The tune has its origin as a traditional Irish tune, principally 'With my Love on the Road', [5] also known as 'The Banks of the ...
Keening (Chaointeoireacht) songs, traditional songs of lament for the dead in the Gaelic Celtic tradition, are a form of sean-nós song in Ireland. [citation needed] Songs with a detailed narrative, such as murder ballads, are far more common in traditional English language music than sean-nós songs. Themes frequently found in Gaelic music ...
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
This upbeat song by Irish band, The Corrs, landed on the Billboard Hot 100 in 2001 and remains a popular radio staple with its infectious beat and ear-worm lyrics.
St Columba was a traditional Irish folk melody that was put to words by Charles Coffin. It was then translated into English by John Chandler, with the chorus 'All glory to the Father be'. In the eighteenth century the hymn Sol praeceps rapitur was translated by the prolific Edward Caswall in seven verses. The music was set by Victorian H. S ...
"Éamonn an Chnoic" ("Ned of the Hill") is a popular Sean nos song in traditional Irish music.It is a slow, mournful ballad with a somber theme and no chorus.. The song is attributed to Éamonn Ó Riain (Edmund O'Ryan [1]) (d. c. 1724), an early 18th-century County Tipperary folk hero, composer of Irish bardic poetry, and rapparee; an outlawed Jacobite from the Gaelic nobility of Ireland who ...
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