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Early Christian inscriptions are the epigraphical remains of early Christianity. They are a valuable source of information in addition to the writings of the Church Fathers regarding the development of Christian thought and life in the first six centuries of the religion's existence. [ 2 ]
Shaw, John MacKay. "Poetry for Children of Two Centuries". Research about nineteenth-century children and books. Urbana-Champaign, Illinois: University of Illinois, 1980. 133-142. Stone, Wilbur Macey. The Divine and Moral Songs of Isaac Watts: An Essay thereon and a tentative List of Editions. New York: The Triptych, 1918.
Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
Read; Edit; View history; Tools. ... Early Christian inscriptions (11 P) M. Medieval Christian inscriptions (7 P) Pages in category "Christian inscriptions"
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Most other known early Christian amulets feature writing in Greek or Hebrew, but not Latin. Its sophisticated style indicates that the writer was an elaborate scribe. [9] According to the archaeologist Markus Scholz , what is unique about this inscription is that it exclusively features Christian content rather than polytheistic elements.
Harper's Songs: 1.30: The Song from the Tomb of King Intef: 467: A Song of the Harper: 1.31: The Song from the Tomb of Neferhotep: 33–34: The Good Fortune of the Dead: Execration texts: 1.32: Execration Texts: 328–329: The Execration of Asiatic Princes: 1.33: Dream Oracles: 495: The Interpretation of Dreams: 1.34: Daily Ritual of the Temple ...
The Oxyrhynchus hymn is the only surviving fragment of notated Christian Greek music from the first four hundred years of the Christian period, [8] although historian and musician Kenneth Levy has argued that the Sanctus melody best preserved in the Western medieval Requiem mass dates from around the fourth century. [9]