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"Gloria" (Italian pronunciation: [ˈɡlɔːrja]) is a 1979 song written and composed in Italian by Umberto Tozzi and Giancarlo Bigazzi, and first translated to English by Jonathan King. A 1982 cover version by American singer Laura Branigan , with different English lyrics, peaked at number two on the US Billboard Hot 100 and has been certified ...
As well, it is sung with "The Queen of Salsa", Celia Cruz. The song is dedicated to Gloria's grandmother Luciana. The main figure in the song, she is referred to as an old-fashioned woman because every time she faced a seemingly impossible problem, she fixed it with "agua bendita" . There is also a phrase in which Celia Cruz says: "...
The song is the leading single of the 1980 album Tozzi.It is characterised by the frenetic series of on-beat cadences and by the use of truncated rhymes. [1] Its style has been described as heavily influenced by disco, with strong rock overtones. [2]
Celia Cruz in Havana, 1957 "Quimbara" is a song performed by Cuban recording artist Celia Cruz and Dominican recording artist Johnny Pacheco.The song written by 20 year old Junior Cepeda from Puerto Rico, was released as the lead single from Cruz and Pacheco's joint studio album Celia & Johnny (1974).
"El día que me quieras" (English: The day that you love me) is an Argentine tango with music by Carlos Gardel and lyrics by Alfredo Le Pera. It is considered one of the most popular songs of the 20th century and one of the best Latin songs of all time. [ 1 ]
"La Negra Tiene Tumbao" (English: "The Black Woman's Got Rhythm") is a song performed by Cuban recording artist Celia Cruz. It features rap vocals performed by Mikey Perfecto. The song was written by Sergio George and Fernando Osorio, produced by George and released as the lead single from Cruz's fifty-ninth studio album La Negra Tiene Tumbao ...
"El Recuento De Los Daños" (The tale of the damages) is a single from the album Más Turbada Que Nunca by the Mexican singer Gloria Trevi. The song was released on Mexican radio in 1994. Though the song, like most Gloria Trevi songs of the day, used indirect references, "El Recuento De Los Daños" became well known for its music video aired on public television that broke taboos while bolting ...
Y el que al golpe de ardiente metralla, de la Patria en las aras sucumba, obtendrá en recompensa una tumba donde brille, de gloria, la luz. Y, de Iguala, la enseña querida a su espada sangrienta enlazada, de laurel inmortal coronada, 𝄆 formará de su fosa la cruz. 𝄇 [e] Coro ¡Patria! ¡Patria! tus hijos te juran Exhalar en tus aras su ...