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100 fps (6K 2.4:1) 96 fps (5K) 120 fps (5K 2.4:1) 150 fps (4K 2.4:1) 200 fps (3K 2.4:1) 240 fps (2K) 300 fps (2K 2.4:1) Sony F35 [101] 21.6 x 13.3 mm 1.67 Arri PL 1920 x 1080 400 native [102] 11.3 stops (-5, +6.3) [68] Global 1-60 Sony F65 [103] 24.7 x 13.1 mm 1.46 Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7) [103] [104 ...
AXIOM is an open source hardware modular camera that allows users to swap sensors. For research and development the ams Sensors Belgium CMV12000 was used, which allows the camera to record up to 300 fps (10 bit), 132 fps (12 bit) at 4K Resolution [3] Blackmagic Pocket Cinema Camera 6k; Blackmagic Pocket Cinema Camera 4k; Blackmagic URSA
It is capable of 4–120 fps both forward and reverse, though reverse running requires a reversing magazine, with camera timing crystal-controlled at one-frame increments. It has a focal-plane shutter which can be adjusted between 45° and 180° while the camera is running, either by using an external remote control or manually turning a knob.
The camera also has a 3-step ND filter switch allowing greater control of how much light can enter the camera for maintaining a shallow depth of field or giving a softer appearance to motion. For one hour video shooting in 4K the camera needs about 32 GB to accommodate a data transfer rate of 50 Mbit/s. The camera's MSRP in the US is US$2,000. [8]
Along with the sensor, the 3.7 million dot, 760 nit EVF, the 30 fps continuous burst at full resolution with a buffer of 1000+ compressed raw photos, 4K 120 fps ProRes internal recording, the 8K 30 fps internal recording and the 120 hz subject recognition AF system make it one of the most advanced cameras on the market with its main rivals ...
Sony NEX-5 E-mount. The E-mount is a lens mount designed by Sony for their NEX ("New E-mount eXperience" [1]) and ILCE series of camcorders and mirrorless cameras. [2] The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining vignetting with 35mm sensors.