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Diffuse reflection is the reflection of light or other waves or particles from a surface such that a ray incident on the surface is scattered at many angles rather than at just one angle as in the case of specular reflection.
Soft light is light that tends to "wrap" around objects, projecting diffused shadows with soft edges, whereas hard light is more focused and produces harsher shadows. The hardness or softness of light depends mostly on three features of the source: the size of its surface, its distance from the object, and the thickness of its diffusion material.
In optics, a diffuser (also called a light diffuser or optical diffuser) is any material that diffuses or scatters light in some manner to transmit soft light.Diffused light can be easily obtained by reflecting light from a white surface, while more compact diffusers may use translucent material, including ground glass, teflon, opal glass, and greyed glass.
By positioning a board reflector close to a light source, its effective size can be increased by "bouncing" the light off it. [3] A very common example of this technique is the traditional umbrella reflector, invented by George Larson, [4] typically having a gold, silver or matte white interior onto which a lamp fitted with a circular reflector ...
A softbox is a type of photographic lighting modifier, one of a number of photographic soft light devices. All the various soft light types create even and diffused light [1] by transmitting light through some scattering material, or by reflecting light off a second surface to diffuse the light.
A common artificial lighting strategy that creates an overall appearance similar to natural fill places the fill light on the lens axis so that it will appear to cast few if any shadows from the point of view of the camera, which allows the key light that overlaps it to create the illusion of 3D in a 2D photo with the same single-source ...
The winners of the 2024 Close-Up Photographer of the Year (CUPOTY) Awards have been announced, and the results are breathtaking! This year’s competition saw over 11,000 entries from 61 countries ...
Because the contrast is less during the golden hour, shadows are less dark, and highlights are less likely to be overexposed. In landscape photography, the warm color of the low sun is often considered desirable to enhance the colours of the scene. [6] It is the best time of day for natural photography when diffuse and warm light is desired. [7]