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Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances.
Renaissance Dance article and video clips (US Library of Congress) Reconstruction of Tassel Kicks Archived 2017-03-19 at the Wayback Machine; Galliard. Historical Dance Society. 2017-05-10. Archived from the original on 2021-12-11 – via YouTube. Galliard performed by students of Trinity Laban Conservatoire of Music and Dance.
In a triple meter, the tourdion's "was nearly the same as the Galliard, but the former was more rapid and smooth than the latter". [2] Pierre Attaingnant published several tourdions in his first publication of collected dances in 1530, which contains, as the sixth and seventh items, a basse dance entitled "La Magdalena" with a following tourdion [3] (it was only in 1949 that César Geoffray ...
The moresca continues to be danced in Spain, Corsica, and Guatemala, and the name as well as certain characteristics of the choreography are related to the English Morris dance. [4] [5]) The term moresca was also applied to ballet or pantomimic dance in opera by the 17th century. Some examples include: the moresca at the end of Monteverdi's ...
It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists: List of dance style categories
A courante rhythm [1]. The courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era.In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude.
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Allemande, from a dancing manual of c. 1769. An allemande (allemanda, almain(e), or alman(d), French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel.